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Historic Center of Mexico City
Historic center of Mexico City, Centro, Mexico City, CDMX, Mexico

Historic Center of Mexico City

Historic center of Mexico City, Centro, Mexico City, CDMX, Mexico
  • historic
  • open space
  • redevelopment
  • social fabric

The Historic center of Mexico City transitioned from a state of deterioration, disinvestment, and depopulation to a vibrant urban experience. Rent freezes affected the interest to invest in building maintenance, which accelerated the degrading process. The rehabilitation process was stimulated by favorable conditions in the 90s, such as the reference to international historical restoration experience in Europe and North America, and national economic growth and decreasing inflation favoring real estate investment channeled in the downtown by urban policies. In 1989, an urban renewal program was launched to promote fiscal incentives with the condonation of property taxes between 1991 and 1993 for those intending to purchase historic properties to restore. Additionally, Nacional Financiera designed a package to finance the area's commercial and service infrastructure renovation. Transit infrastructure investments improved public transportation by implementing new subway lines, allowing restrictions on automobile use within the inner perimeter of the Historic Center (perimeter A). Funds provided by the developers building in higher-value areas in the city were channeled to the Historic Center and allowed the restoration of recreational, cultural, and educational buildings such as the Jose Luis Cuevas Museum, Bar Mata, the Cicero Centenario restaurant, the Salon Mexico, the Choir of Santo Domingo, the X'Teresa Alternative Art Center, the Bankers' Club, and the former National Law School. Funds were complemented by programs such as the "Echame una Manita" (Lend Me a Hand) - coordinated by the Historic Center Trust Fund - that oriented those who wish to rehabilitate a building, providing process licenses, credits, free restoration projects, and technical counseling, encouraging participation in the maintenance of the historic heritage. The Fideicomiso del Centro Historico (Historic Center Trust Fund) allowed the distribution of funds to recipients under the mission of restoring the buildings in the area. Thus, shopkeepers and building owners were stimulated to participate in renovation projects. Public investments assisted in the restoration of national monuments like the Cathedral and National Palace, Archbishop's Palace on Moneda Street, and the Mexico City Museum on Pino Suarez. The investment was specific to each building, with the exterior's restoration and the interior's adaptation with contemporary interventions. While private capital was directed to renovating facades and shops, public funds were invested in repairing public transit infrastructure, squares, sidewalks, streets, and urban furniture. The restoration and adaptive reuse of 800 historic buildings and the upgrade of public spaces over six years attracted new private businesses and stimulated tourism and the organization of public events. The Mexico City Historic Center project shows how it is possible to reverse a high level of urban deterioration without undermining the difficulty of countering existing market logic and the lack of economic interest in the area. Strong government support and programs implemented were necessary to accomplish the goal.

Project Leads

  • Jorge De Gamboa

Organizations

  • Mexico City National Bank

Stages

  • Construction
  • Design Development
  • Schematic Design
  • Planning
Aerial View, Mexico City
Palacio Nacional (National Palace)

Site

Map of Historic Center, Mexico City
The slow decline of the Historical Center from a cultural, commercial, and political hub to a state of abandonment and crime culminated in a population decline from 90000 to 5000 inhabitants by the turn of the 21st century. Among the factors responsible for this process is the rent control legislation from the 40s preventing owners' investments and the local university's departure from its central location. An earthquake in 1985 damaged nearly 400 buildings in the city center and worsened the situation. The acknowledgment of the importance of the site started with 1978's discoveries of the Coyolxauhqui stone – an Aztec carved relief – near the Metropolitan Cathedral and the discovery of the Aztec Great Temple (Templo Mayor), followed by the creation of a world-class museum. International interest in the site led to its inclusion in the World Heritage List in 1987. In the 1980s, forming the Sociedad de Amigos del Centro Historico to promote events and publications was insufficient for restoration work. Despite institutional protection measures, the Historic Center deteriorated rapidly throughout the 1980s due to the urban expansion of higher-income families to the suburbs and the unplanned adaptation of housing layouts into more units to accommodate more lower-income households, culminating in the de-characterization of historical buildings.

Typology

Urban renovation; Historical Heritage

Land use type

Mixed Use

Size

Composed of 1436 landmarked buildings, the urban fabric can be categorized in Perimeter A (approximately 3.2 km2) or the core of the colonial center in the city, and Perimeter B (5.9 km2), a buffer area formed by the 19th-century expansion.

Population/density

61,229 inhabitants

Gross floor area

Perimeter A (approximately 3.2 km2) and Perimeter B (5.9 km2).

Community Infrastructure

  • outreach programs
  • cultural programs

Timeline

1980-1994

People

Awards

Veronica Rudge Green Prize in Urban Design

1996

Jury

George BairdJuror
George HargreavesJuror
Rodolfo MachadoJuror
Adele Chatfield-TaylorJuror
Alex KriegerJury Chair

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